Season 1 Archive | Rhapsody in 35MM

SEASON 1: The Horror Genre, George Albert Smith, and Spiritualism

In Season 1, we begin our deep dive into the horror genre by discussing what, exactly, makes a horror film. We analyze what is, arguably, the first horror film, George Melies' 1896 film Le Manoir du Diable (The House of the Devil). And, we look at English director George Albert Smith's contributions to film history and his link to the Victorian spiritualism movement through the Society for Psychical Research.

S01E01: REMIXED - What’s in a Name? The Etymology and Science of Horror

Horror is a genre that reflects the darkest aspects of human nature, history, and imagination, mirroring societal fears born of violence, war, scientific ambition, and anxieties about the future, while also confronting the inner duality of the human soul. From revolutionary atrocities and Frankenstein’s cautionary tale of unchecked progress to atomic-age monsters shaped by nuclear terror, horror repeatedly transforms real-world anxieties into symbolic narratives. Rooted etymologically in physical reactions like shuddering, bristling, and fear—captured in the Greek concept of phrikē and the Latin horrere—horror engages our bodies and minds through controlled fear, triggering adrenaline while keeping us safe. Psychologically and biologically, it functions as both a training ground for danger and a window into the unknown, satisfying curiosity about taboo, violence, and the shadows of human behavior. Audience responses vary widely based on individual taste, disgust sensitivity, biology, and social conditioning, particularly regarding graphic violence, yet the enduring appeal of horror suggests a deep fascination with seeing our darkest impulses reflected back to us, revealing as much about who we are as about what we fear.

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S01E02: REMIXED - A New Dimension in Terror: Tropes and Techniques

This episode explores what distinguishes horror from adjacent genres like the thriller by examining the specific cinematic techniques and thematic elements that define it, focusing on how film uniquely manipulates image, sound, perspective, and narrative to create sustained unease and fear. Horror relies on the strategic withholding of information through lighting, shadow, framing, camera angles, depth of field, editing, and point of view to heighten tension and suggest unseen threats, while sound—both diegetic and non-diegetic, including dissonant music, nonlinear noise, and low-frequency tones—works in tandem with visuals to provoke physiological and emotional discomfort. These formal techniques support recurring horror themes such as the supernatural, monstrosity, duality, obsession, revenge, transformation, isolation, and humanity’s desire to control nature or transgress moral boundaries. Whether through tragic victims, invasive monsters, psychological killers, or forces rooted in culture, religion, or science, horror consistently seeks not just to thrill, but to disturb—using atmosphere, ambiguity, and fear itself as its defining currency.